The Digby Report

DISCLAIMER - People having had recent abdominal surgery should not read these blogs. Belly laughs can do serious damage to stitches. If you choose to read anyway, have your duct tape ready -- Horace J. Digby

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Location: Pacific Northwest, U.S. Outlying Islands

Humor Columnist, Filmmaker, Winner of the Robert Benchley Society Award for Humor, now apearing on A3Radio.com.

Monday, January 30, 2006

Dave Barry's Money

"The reason for book tours is that publishers are thinking, 'I'll bet these books would be worth a lot more if the author was dead.'" That's how Dave Barry began his economic address to a standing-room-only crowd at Seattle's old Town Hall, earlier today.

"Thank you all for coming. I guess, since it's raining, there isn't much else for you to do."

"There are dozens of books about financial management, by other authors who may seem more qualified. But those other books all suffer from the same important flaw. When people by those books, I personally don't get royalties. My book addresses that problem."

According to Barry, money was once based on animals, like cows. While this made armed robbery unbelievably difficult, it was also hard to make change.

Barry didn't spend his entire time stumping for his book. He also shared insider humor secrets about his experience as part of Steve Martin's writing team for the Academy Awards.

"We met in Steve Martin's living room. Everyone there was either an experienced joke writer or Steve Martin."

"I am used to spending an hour thinking about whether it would be funnier to use the word squirrel or the word weasel in a sentence. (For those who are wondering, it's weasel.) The other writers were experienced working with a team. They were all generous. Someone might come up with part of a joke and others would work with it. No body really owned any of the jokes. They knew they wouldn't get credit. Steve Martin got the credit."

"Being backstage at the Academy Awards was wonderful too, and not just because I ran right into Halle Berry."

After his talk in Seattle, Barry stayed around to sign autographs and hobnobbed privately with the NetWit's own Horace J. Digby (and about 100 other people). After the obligatory humor-columnist's secret handshake, Barry and Digby chatted about friends they have in common. Although Barry seemed to enjoy Digby's suggestion of beginning autographs with, "Pay to the order of . . ." he didn't adopt the practice.

Then, all too soon, it was time to leave.

"Tell the Louie Louie god hi for me," Barry said, remembering an event of two years earlier when
Digby's son Adam sang with Barry in Tacoma.

Saturday, January 28, 2006

The Big Easy (Just got easier)

by Horace J. Digby

For years I've made plans to visit New Orleans at Mardi Gras. But it just doesn't happen. I actually had tickets and res-ervations one year, when, all at once the New Orleans police went on strike.

A friend who lived in the French Quarter told me it would be a really bad time to visit. Instead, he sent me accounts of street violence he had witness and on one occasion suffered, during the Fat Tuesday through Ash Wednesday celebration.

So, as the once popular song almost goes, "I know what it means to miss New Orleans," and Mardi Gras.

Still in the throws of disaster, New Orleans needs our help. They need a place to hold Mardi Gras 2006. And why not Longview.

Longview has many features that make it ideal for Mardi Gras:

1) It's not under water. Not even part of Longview is under water, this year, so far.
2) It is near a big river (some parts are wider than a mile). The river has dikes too, just like the ones in New Orleans.
3) Longview is a center for original, traditional American music. Dozens of famous and near-famous American musicians have performed here . . . like Paul Revere and the Raiders, Sonny and Cher, Ike and Tina Turner, Merrilee Rush, The Kingsmen, The Wailers, The Impacts, The Panics, Arrows for Eros, The Brougham Closet, Doug York, Pat Goodbla, Johnny Mitchell and Keith Holter, Grady Harris, Derwood McBride, Leon Richey, Willie Nelson, Bill Booth, Mike Poe, Dick Olsen, Dave Dismore, Guy Live, The Doobie Brothers, Don Mclean, Bill Lussenden, some guy with a zither, and The Smothers Brothers . . . they have all performed here. Elvis once stayed at a motel in Kalama, so that counts too.
4) Longview also has parts of town with interesting names, like Down Town, the Highlands, the Old West Side, Mint Valley, and The Circle. Sure, there's no French Quarter, but the city council could probably come up with one if anyone complains.

The point is, Longview has everything necessary for Mardi Gras, except, of course, those Mardi Gras beads everyone wears, and those wrought iron balconies.

Wrought iron balconies are important. Just look at any picture of New Orleans. If we put up a few of those balconies, the Mayor of New Orleans wouldn't be able to tell the difference.

Fortunately, we can get those beads and balconies from my good friend Caufbaugh Twilley (
caufbaugh@lexingtonfilm.com). If we act fast, Twilley will probably let us have them at only two or three times retail (if we pay cash).

Tourists coming to Mardi Gras will also expect parades. Here's my thought. We can hire Guy Live and George Ford to wander around playing music and doing magic tricks. That's will be more entertainment than is actually needed, considering the fact that about 500,000 tourists will be too busy milling around, trying to find parking, food and lodging, to notice that there were only two people in the parade.

Cleaning up after all those tourists won't be a problem either. We'll just call FEMA.

-- Horace J. Digby --

Copyright © 2006 Lexington Film, LLC. All rights reserved


Wednesday, January 18, 2006

The Robert Benchley Society Award for Humor - You Could Win!

Here's the scoop on "The Robert Benchley Society Award for Humor."

Robert Benchley is one of the seminal American humorists. He found fame during the 1920s, writing columns for Vanity Fair and The New Yorker, and found even more fame, when, he and his pal, Dorothy Parker formed a lunch group still known today as The Algonquin Round Table. They set the tempo for humor world wide in the 1920s.

Robert Benchley is still recognized today as an inspiration by humorists like, Dave Barry, Bob Newhart, Erma Bombeck, Woody Allen, Shelly Berman and almost everyone else.

When Bob Newhart won the Mark Twain Prize for Humor early in 2005, at the Kennedy Center, most of the speakers (including Newhart himself) named Robert Benchley as an inspiration.
Benchley's son, Nathaniel Benchley, wrote the novel, The Russians Are Coming, The Russians Are Coming, which became a William Rose screen play and comedy blockbuster movie in 1966. Benchley's grandson, Peter Benchley, wrote Jaws.
My life-long love affair with the work of Robert Benchley began when I was eight, playing hooky from school. I'd been exploring the attic, and found an old red-cover hard-bound book with one corner gnawed off.
The missing corner didn't surprise me. I had two older brothers.

I'm not sure why, but I took the book with me, and standing at the foot of the stairs, I began reading it. I couldn't put it down. Its title was My Ten years in a Quandary, and it was filled with humor columns by Robert Benchley. I didn't know there were books like that. It was the first "real book" I read. I knew on that day, standing in my bedroom, that I wanted to be a humor columnist when I grew up.

Thirty-eight years later, and after several serious career detours, the dream is coming true for me, and it all started with a short article I mailed, one fine day in late winter, to the Robert Benchley Society.
I sent in one piece, and promptly forgot about it.

Then, last May, I started getting a number of e-mails saying "Congratulations!" in the subject line. I thought it might be a virus, or an ad for Viagra, so I deleted them. Then I got one from a writer friend, Ed Tasca. I knew who Ed was, so I opened his e-mail. That's how I learned I'd won.

If you write humor, you should submit your finest work (in the style of Robert Benchley) to the Robert Benchley Society.
http://www.robertbenchley.org/.

You might be the next winner.

Over Labor Day, my editor, Sue Piper, a writer, Jean Bruner and my pal, Dwain Buck, went back to Boston to get the award. It was a weekend of activities, tours, a boat trip, the race track, banquets (they let me read my winning entry) . . . Saturday night, after the bars closed, found a group of us men in tuxedos women in evening gowns, out in street front of Paul Revere's house. Heck, I knew Paul Revere. My band played on his TV show back in 1969. I even knew Mark Lindsey. But I couldn't get anyone to open the door. So we all quit making noise and went back to our hotels. It turns out there were two Paul Reveres.

-- Horace J. Digby --
2005 Winner of the Robert Benchley Award for Humor

Monday, January 16, 2006

The Jack Benny Stamp

Being apolitical, more or less, it is rare (to perhaps medium rare) to find my name associated with any political movement. But you should have an opportunity to join this important cause.

The Jack Benny Fan Club is petitioning congress to make the next U.S. postage stamp (39 cents) the Jack Benny stamp.

As humorists you owe it to one who inspired many of us to take up pen and rally forth against the insanity around us (or at least to quit our violin lessons).

This is your chance to make a really meaningless gesture which will nevertheless bring great joy to many people.

http://www.jackbenny.org/stamp

Who knows, perhaps one day Eric Decker will have get his own stamp.

Horace J. Digby
http://www.lexingtonfilm.com/

Sunday, January 15, 2006

Broken Flowers

by Horace J. Digby

Movies have taken a bad turn.
Ever since Cast Away, mega-blockbuster-stars like Tom Hanks, Bill Murray and Jack Nicholson have been competing to see who can make the most boring movie.

Hanks took an early lead with Cast Away, so named for the fact that on the second day of shooting the cast ran away. The film involves a man who, after a very exciting plane crash, spends the remaining two acts talking to a volleyball. Even after he is rescued from the tiny Island where he spends most of the movie (and incidentally where most of the DVD sales have occurred) the remaining story arc consists only of a brief scene in which Hanks (or was perhaps it was Murray) takes the volleyball on a road trip to Texas or some other desolate place.

About Schmidt was one of these movies. It stared Jack Nicholson, or perhaps Phil Michelson. The plot of the film is, that there's this guy, you know, and he is, like, really BORING!!! The film wasn't actually boring enough for three exclamation points. It probably should only get an asterisk. But I only have one asterisk, I didn't want to risk it on that movie.

Bill Murray, being Canadian, couldn't stand the idea of guys from California having made two of the worlds slowest moving movies. So he spent a year toying with the idea of a one hundred and fifteen minute film consisting only of a still photo of a puppy sleeping. That film finally was re-titled and released as Lost in Translation. It won some awards and all would have been right with the world, if Tom Hanks hadn't gone back to the studio to film The Terminal.

Sure, I'm impressed that The Terminal is actually a true story about Hanks' own experience trying to get through airport security just after 9-11, but that doesn't keep it from being lame.

Murray of course fired back with Broken Flowers, a film that involves such unforgettable scenes as Bill Murray sitting on a leather sofa, Bill Murray sitting on a chair at the airport, Bill Murray sitting in a stuffed chair, Bill Murray sitting on a chair in a restaurant, Bill Murray sitting in a seat on a shuttle bus, Bill Murray sitting in an airline seat and Bill Murray sitting in a car. That's all he is doing for the most part. He isn't talking. He isn't listening to anybody talk. He isn't watching anything. I'm not sure he is even breathing. Weekend at Bernie's had more action and Bernie was dead for three quarters of the movie. But there is a big surprise ending in which Bill Murray sits on a box and actually talks to one of the other actors.

The Broken Flowers DVD has bonus features. No kidding, there is an outtake feature which consists of two young women both talking at once, over and over, on the shuttle bus (Remember the shuttle buss? It had more personality than some of the actors in this movie). And, are you ready for this? The DVD has a featurette of slates. Slates are those black and white striped plates with the clacker bar on top used to mark the beginning and end of scenes. Broken Flowers has a five or ten minute bonus feature that just involves footage of the slates being clacked. Although from time to time, Murray or one of the other actors makes a comment. This is the best part of the DVD.

There is another featurette narrated by writer/director Jim Jarmusch (who's name I mention only to keep other writer/directors from suing me for not making it clear that they didn't write or direct this film—I know I'd sue anyone who suggested that I made it). Jarmusch explains, repeatedly, that he, as a writer and director, doesn't really believe in knowing what is going to happen in the scenes he shoots. He also explains that he doesn't think figuring out the meaning of the film is his job (although if you saw the film, you already knew this). In all, the Jarmusch featurette reminded me of a lady where I used to work. No mater what it was, the first words out of her mouth were, "That's not my job." She said this so often and with such energy that pretty soon, she was right. It wasn't her job anymore.

This Jarmusch featurette consisted of what sounds like an interview recorded from AM radio, played over footage of a decaying farm house. Jarmusch explains that having a reason for filming a particular scene (or apparently an entire movie) doesn't matter much to him. He also said that after one of his films is finished and he has seen it once with a paying audience, he never watches it again. Frankly that shows good judgment on his part, at least if all of his films are as entertaining as Broken Flowers.

Hey, I just figured out why the only outtakes were of those two young women talking on the shuttle bus. Everything else actually made it into the film.

After seeing the movie, we watched the preview, and my wife summed up the experience.

"The entire movie is in the trailer. Even the scenes of Bill Murray just sitting places are there, only shorter."

Having said all of this, I might actually watch Broken Flowers again. It has a very nice scene featuring Alexis Dziena naked. It's a sensitive artistic scene, and it's not just exploitation, and it's necessary to the story, and it's tastefully done, and it's not just about the body, and it's necessary for the movie, and she looks great in the bikini scenes too.

-- Horace J. Digby
Winner of the Robert Benchley Society Award for Humor
Copyright © 2006, Lexington Film, LLC. All rights reserved
hjdigby@lexingtonfilm.com

Saturday, January 14, 2006

Marié Digby


By Horace J. Digby


You have to meet Marié Digby (say: Mar-ee-A).
Better yet, you have to hear Marié Digby.

If beauty had a voice, her name would be Marié Digby.

Your old pal Horace J. stumbled across Marié quite by accident, Googling his own name, just to see what popped up, and he found a link to the music of Marié Digby.

Now there is lots of music on the net. And most of it is bad. But Marié has a rare talent. She writes her own songs, they are relevant, and can she ever sing. I can't think of any Grammy winner who has a better voice.

Marié is a winner too—winner of the fourth annual Pantene Pro-Voice competition, held in LA.

But why are you reading this? You can be listening the powerful, lyrical, beautiful work of Marié Digby right now. Just click here http://www.mariedigbymusic.com/ and if you don't like it, I'll send you a slightly used ear wax removal kit (it belongs to my Dalmatian) and you can listen again.

Your pal,
Horace J. Digby
And if you really like her work, let your friends know.
Let Marié know too. Tell her Horace sent you.

Horace J. Digby
hjdigby@lexingtonfilm.com
http://www.lexingtonfilm.com/

Sunday, January 08, 2006

Voyage d'affair



By Horace J. Digby


Our trip to Paris took so much planning, I began feeling like Bilbo Baggins preparing for his great adventure. A grand sendoff would be the final step. Speeches, fireworks, I'd invite the entire Shire. But my wife, always the pragmatist, reminded me that we weren't actually Hobbits and didn't even know where the Shire was. She was right of course. Luckily, I headed off my nephew Frodo, before he mailed the invitations. I don't think I'll tell him about the magic ring.

Even without a party the details were endless. The most important was to brush up on my French. How hard could it be to lead my family on a safe and joyous romp through Paris? With my background in French (seventh and part of eighth grade) one of those "French-for-travelers" CDs would be the ticket.
After all, French is like math; you never forget it. So what if my last brush with the language was . . . let me see, hmmm . . . four minus three . . . carry the one . . . Maybe French isn't like math at all. Maybe French is more like riding a bicycle.

My wife and son got me a mountain bike for my 40th birthday. It was great to be back in the saddle, pedaling as fast as I could for the park. It was like I'd never been off of a bike. I'm sure that's what French is like. With my driveway just thirty yards ahead, I decided to see how fast I could take the turn. We used to lay our bikes nearly horizontal when I was a kid. You just lean into the turn.

Swoosh-crshcrbbll-brrssh—I slid nearly ten yards across the pavement, mostly on my left hip and forearm. Of course when I stopped sliding, I jumped up at once, acting like nothing at all had happened. This is an important part of being a guy. The quicker you jump up after a mishap, the better. Luckily, our garage door was open, so I headed there with all the bounce in my step that I could manufacture.

There was a lot of pain and probably blood, but I couldn't look. Not yet. You can't show pain, especially when you got the pain by doing something really stupid. This is the basis of all male behavior. After I got the garage door closed, I would wither and dissolve into a pool of quivering agony, but until then, "I was fine . . . I meant to do that."
Everything hurt. Heck, the bike seat was shredded, along with my shorts, my shirt and a good deal of my hip and forearm. A week or so later, before all of the bandages were off, I bump into my old childhood friend Ronny Pocan. I hadn't seen Ronny in years. He was the kid who actually taught me to ride a bike. My first real bike wreck was with Ronny.

Ronny took one look at the scab on my arm and knee and said, "I see you got a mountain bike."

"How did you know that?" I demanded.

Ronny didn't say a word. Instead he just pulled aside his shirt to show me his freshly abraded ribs and left arm. "Me too," he said.

I was sure French would be like that.

Luckily, there were scads of French-for-travelers CDs at the book store. But that meant I had to choose. Sure, I know they're all the same. But this was about the safety of my family. I had to make the right choice. I stood there, a man of once mighty Scottish and Viking ancestry, in a book store, trying to protect my family by choosing the right French-for-travelers CD. One million years of human evolution had distilled manhood down to its raw essence--pretending not to feel pain after bicycle wrecks, and protecting loved ones by reading labels on French-for-travelers CDs.

It isn't as easy as it sounds. Just a year ago we were making the same sort of selection for my son, Horace, Jr. He was headed for Slovakia as an exchange student and needed to learn the language. As you might imagine, there isn't much of a selection of Slovak-for-travelers tapes, so we pretty much bought the only one available. When we plugged in the tape, a gentleman with a thick British accent was saying something like, "Pip pip old chap. This is Nigel Rathbottom welcoming you to colloquial Slovak." [To get the full effect, the reader is advised to reread this quote using a very thick British accent, which everyone seems convinced they can do.]

We had a great laugh, until my son reminded us, that for all we knew this was how Slovaks really talked. Fortunately only the narration was in Cockney (or whatever that accent was). The actual lessons featured Slovak speakers.
I chose a French CD with a lot of writing on the label and photos of two attractive happy-looking people apparently talking in French.

They say, "Never judge a book by its cover." But—and I looked this up on the internet—no one ever says, "Never judge a French-for-travelers CD by its cover." So it must be ok.

Help! They Stole my watch!
It turns out that Nigel Rathbottom also does French CDs—just kidding. Whoever it was sounded very French (or perhaps Slovak). The first part of the CD was devoted to "most needed phrases." This seemed like a good idea, although I was a bit suspicious when one of the most needed phrase turned out to be, "Au secours! On a volé ma montre!" Which apparently means, "Help! They stole my watch!" No kidding. Whoever did this CD thought I'd probably need to be able to say that in France.

Another most needed phrase, according to the CD was, "Je veux un avocat qui parle Anglais?" Which makes sense. If you are going to hire a lawyer in France, getting one who speaks English is a good idea. Although, it was hard to imagine what sort of vacation traveler would find this to be a most needed phrase. But then, I'd never been to France. Maybe it was a big thing over there. Besides, the people who edited the CD knew more about traveling in France than I did. Who was I to argue? So, I learned this next phrase too. "Je ne peux pas bouger la jambe." Which the CD assured me meant, "I can't move my leg." I'm really not kidding here.

I was still trying to get a mental picture of the editors of this CD. Did they really think that these were the most needed phrases for a family vacation? Or this one, "Ce sont des pillules ou des suppositories?" "Are these pills or suppositories?"

I sort of figured if you really need any of these phrases your vacation is already pretty much beyond hope. So, what possible good could it do to chat pleasantly about your situation in well-formed, grammatically correct French sentences? Although that one about the suppositories might come in handy.

Soon, I was spending more time worrying about the life of those poor editors than studying French. Did they get these phrases from their own experience? Did they also know these phrases in, say, German? And, could I get a guarantee that the editors would not be staying in the same hotel we had booked?

And what about the thousands of phrases that were left out? Like, "Help! They kidnapped the Swiss Ambassador!"

Sure, you might not need that one most of the time, but let's say you attend a wine tasting party at the Louvre and somebody runs off with the Swiss Ambassador. How will it look if you just stand there making small talk about whether or not you can move your leg, while everyone else is yelling, "Au secours! On a volé Le Ambassadeur du Suisse!" You should at least be able to say something about the kidnapping. The French consider such minor courtesies quite important. Although, I guess, you could just pretend to be looking for your wristwatch.

This detour of thought had to end. I had spent good money on that CD, and most needed phrases or not (including how to ask for more pepper, "Je voudrais du poivre s'il vous plait") it was time to make the best of things.

We already had our airline tickets, and room reservations in what had been promised to be a nice hotel avec douche—which I hoped meant, "with a shower." But we didn't have any French money yet.

Money Matters
In junior high, I tried to learn the names of French currency but it didn't take. I couldn't remember any of them. I did remember, however that the French are always saying, Ça ne fait rein (which I knew means either, "Don't worry about it," or "There is no more rice.").

Happily, France now uses the European Common Market dollar called the Euro. Euros even have nearly the same change as our money, nickels, dimes twenty cent pieces and pennies, although they probably call them something else. When I checked, the price of one Euro was about $1.30. That seemed high so I checked again a few weeks later. It had gone up to $1.50.


I knew the price would go down. I also knew this wouldn't happen until we had purchased all of the Euros we would ever need. And then the price would never go back up again as long as we held any of them. So, I did the only intelligent thing. I pretended to buy some Euros. "Je voudrais du Euro s'il vous plait," I said. Which is French for, "May I buy some Euros?" I said this to nobody in particular, because I was only pretending.

Then, in a squeaky falsetto, I answered myself, "Je ne comprends pas." Basic French for, "Huh?"

Not getting anywhere with virtual currency trading, the only alternative was to hold out until the last possible second, hoping for some lucky break—like the economic collapse of Europe—to drive the price of Euros down.

Until then, I decided to study more French.

Lessons Deux
French English
Banker: Bonjour monsieur. "Hi."
Tourist: Je voudrais du Euro s'il "How much for some Euros?"
vous plait. C'est combien?
Banker: Où est la garantie? "More than YOU can afford."
Tourist: La Garantie? "You want my house?"
Banker: Vous vouloir Euro, n'est pas? "Yes."
Tourist: Je ne peux pas bouger le visage. "I can't move my face."

Best Laid Plans
Planning our trip was loads of fun. We wanted to visit Slovakia first, then rail to Paris before pushing on to London (we also wanted to use other travel-related words like "explore" and "navigate," but we were on a budget).

Checking the map, we learned that Paris and London both have a river running through them, roughly in the shape of the letter "n." Both cities also have a perimeter highway around them, and in each city the preferred mode of travel is by subway. We soon realized the only actual difference between Paris and London is that London has a really big Ferris wheel where the Eiffel Tower would be if you were in Paris. Other than that, the cities are identical. In fact, if you rush up behind a group of Parisians and listen in on their conversation before they know you are there, you will often catch them chattering away in Cockney (or perhaps it's Slovak) about fish 'n chips and ale.

We used the travel agent method to planning our trip. This is the best way to organize plans for travel to Europe. Your agent will know all of the secret instructions about getting a hotel with showers. Your agent also has a much better chance of getting your money back if something really goes wrong—like if Paris happens to be closed for repairs when you get there [it happened to us at Disneyland once] or if a really big corporate party (like IBM) has booked all of Europe and you can't get tickets to do anything [this happened on our honeymoon trip to Kauai].

Whenever you face these or other major problems on your trip, your travel agent can really help. He or she is certain to know the MOST NEEDED FRENCH PHRASE OF ALL, which is:

Vous ne puis-pas exchangre ceci.

Which means, "All sales are final."

-- Horace J. Digby
Copyright © 2006 Lexington Film, LLC. All rights reserved